Which Hills are You willing to die on?

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Exam Show 2024

In theatre direction, especially when working with ensembles or large casts, you often face moments where your creative ideas might not immediately resonate with the performers. In these situations, it’s essential to ask yourself the critical question: Is this the hill you’re willing to die on? This phrase symbolises the decision-making process where a director must weigh how strongly they believe in a particular choice or idea, especially when it might not be immediately accepted.

The Dream Catcher Approach

Think of your cast as a dream catcher. Sometimes, ideas (like dreams) stick immediately, and other times, no matter how well thought-out, they don’t resonate with the group. As a director, you need to evaluate which ideas are fundamental to the piece and which ones you can afford to let go of.

When to Hold on to an Idea

Sometimes, an idea is so central to the vision or the message of the production that it’s essential to fight for it. These are the moments when you feel deep conviction, when you know that a particular staging or emotional beat will bring the audience closer to the truth of the story. These are your hills! The parts of your vision that truly define the piece.

When to Let Go

Other times, you might find that the cast simply isn’t clicking with a concept, or perhaps the execution isn’t matching the image in your head. This is where flexibility comes in. Directing is collaborative, and sometimes letting go of a specific choice can open the door for new, better ideas to emerge, ones that might come from your actors themselves. It’s not about giving up, but about recognising that sometimes a different approach can lead to greater success.

The Balance

As a director, the challenge is knowing when to stand your ground and when to let an idea morph into something else. Always ask yourself, Is this moment integral to my vision? If not, maybe it’s time to explore new possibilities, to create space for the cast’s instincts and creativity to breathe. After all, theatre is about collaboration, and sometimes the magic happens in the moments when you let go.

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